We all know that KISS gets a bad wrap. They are hugely successful, and often toted, 'not worthy' of that success. They are rich, bloated, egotistical assholes. Now, as KISS fans, you know, as well as I do, that this is not the entire picture. And, it’s also important to note, that Gene and Paul did not do it all by themselves. Without Peter Criss, Ace Frehley, Bill Aucoin, Sean Delaney, and Neil & Joyce Bogart, KISS would not have happened. Having said that, the following is based solely on Gene and Paul. What THEY did as a partnership. How they left WICKED LESTER, an almost guaranteed project at the time, with a record contract in hand, to fulfill a much bigger dream. THAT takes balls. THAT is dreaming big, and believing big. And, in all my days as a KISS fan, I have never read those dreams, summed up better than the following quote from Nick Simmons, taken from an article he wrote for VICE (2015), in which he ends the piece, summing up ALL that Gene and Paul have accomplished. The following is the best written description I have ever read of the bands early days. Simply perfect.
“This lesson applies as much to my father's professional legacy as it does to his fatherhood. He is worshipped and surrounded by yes-men almost constantly now. But his greatest achievements, arguably, were during times of friction, before the yes-men. When he formed the band Kiss, he was a gangly, awkward kid in New York. No one said "yes" to him. He didn't do well with women. People thought he was stupid because he couldn't speak English well. My father and Paul had to fight for every deal and every concert, had to fight against bad reviews and debt and day jobs, had to fight everything, in order to achieve what they did. They had to disagree with everyone. They had to believe that everyone else, every authority, was wrong.” - Nick Simmons (Vice, 2015)
Showing posts with label 1974. Show all posts
Showing posts with label 1974. Show all posts
Tuesday, January 8, 2019
Friday, January 2, 2015
KISS - HOTTER THAN HELL (1974)
HOTTER THAN HELL was the last KISS album I ever purchased, completing my
collection. For whatever reason, I purchased every other album in the
collection before adding HOTTER THAN HELL to my roster. My mistake.
HOTTER THAN HELL, is the perfect basement record. There is something so
cheap and dirty about HOTTER THEN HELL, it oozes rock power. HOTTER
THAN HELL has the perfect sound. If I were to ever record an album with
a band of my own, this is the album I would emulate. The perfect
sounding record from beginning to end.
ROUNDTABLE OF THE ELDERS…
Do you think KISS recording HOTTER THAN HELL in Los Angeles vs. New York had any impact on the songs?
RH - I definitely think it had an impact on the album, however I don‘t think it was due strictly to recording in Los Angeles. I feel that life on the road during the first KISS tour had a huge impact on the songs and the direction the band was going to take on their follow up record. Unlike the first album, the songs on HOTTER THAN HELL had a more ‘party’ feel. I think at the time of the recording the band was young, living their dream, and having the time of their lives. The demands and pressure of the business had not yet set in. Life was a party, and it was reflected on the album, and most definitely reflected on the back cover and photo outtakes. L.A. life at it’s finest.
What is your favorite song from HOTTER THAN HELL?
RH - All The Way
ROUNDTABLE OF THE ELDERS…
Do you think KISS recording HOTTER THAN HELL in Los Angeles vs. New York had any impact on the songs?
RH - I definitely think it had an impact on the album, however I don‘t think it was due strictly to recording in Los Angeles. I feel that life on the road during the first KISS tour had a huge impact on the songs and the direction the band was going to take on their follow up record. Unlike the first album, the songs on HOTTER THAN HELL had a more ‘party’ feel. I think at the time of the recording the band was young, living their dream, and having the time of their lives. The demands and pressure of the business had not yet set in. Life was a party, and it was reflected on the album, and most definitely reflected on the back cover and photo outtakes. L.A. life at it’s finest.
What is your favorite song from HOTTER THAN HELL?
RH - All The Way
Labels:
1974,
ACE FREHLEY,
ALL THE WAY,
CASABLANCA,
Gene Simmons,
HOTTER THAN HELL,
KISS,
LOS ANGELES,
Paul Stanley,
Peter Criss
Thursday, January 1, 2015
KISS (1974)
Not only is KISS, the debut album from the band, it is also the one album that contains more KISS ‘live’ staples than any other album. When a person discovers KISS, the 1974 debut album is more than likely be the first release to enter their collection. I know it was that way for myself. I certainly loved the songs. They had a groove and a life I had not encountered before in any band I had dove into. There was something different about these songs. Little did I know it then, but they would end up being the soundtrack of my life.
Even beyond the music, I remember falling in love with the album cover. Sure, the band had yet to nail down that polished KISS look we would come to know, but there was magic to that contrast of black, white and silver, not to mention the gleaming glitter studs of the KISS logo on the reverse side. Early 70’s glory.
I have always viewed the self titled debut album as KISS’ true classic album. From the cover design, to the image of the band, to the song lineup, the album is at it’s core a straight ahead ‘classic album’. “Strutter” alone sells the album. To this day, if I were asked to define what a rock and roll song should be, my answer would be, “Strutter”. That song changed me. It made me idolize Paul Stanley, and helped me fall in love with KISS.
ROUNDTABLE OF THE ELDERS…
Would you consider KISS (1974) a desert island album?
RH - Without a doubt. This album is the perfect desert island disc. It’s basically a KISS Greatest Hits (without being a Greatest Hits). Quite possibly the most definitive album of the bands catalog.
What two KISS albums would you use to describe to aliens what KISS is all about?
RH - If I were to show alien life what KISS was all about I would use KISS (1974) AND ROCK AND ROLL OVER. To me, both of these albums capture KISS at their essence.
Even beyond the music, I remember falling in love with the album cover. Sure, the band had yet to nail down that polished KISS look we would come to know, but there was magic to that contrast of black, white and silver, not to mention the gleaming glitter studs of the KISS logo on the reverse side. Early 70’s glory.
I have always viewed the self titled debut album as KISS’ true classic album. From the cover design, to the image of the band, to the song lineup, the album is at it’s core a straight ahead ‘classic album’. “Strutter” alone sells the album. To this day, if I were asked to define what a rock and roll song should be, my answer would be, “Strutter”. That song changed me. It made me idolize Paul Stanley, and helped me fall in love with KISS.
ROUNDTABLE OF THE ELDERS…
Would you consider KISS (1974) a desert island album?
RH - Without a doubt. This album is the perfect desert island disc. It’s basically a KISS Greatest Hits (without being a Greatest Hits). Quite possibly the most definitive album of the bands catalog.
What two KISS albums would you use to describe to aliens what KISS is all about?
RH - If I were to show alien life what KISS was all about I would use KISS (1974) AND ROCK AND ROLL OVER. To me, both of these albums capture KISS at their essence.
Labels:
1974,
ACE FREHLEY,
Bill Aucoin,
CASABLANCA,
Gene Simmons,
Kenny Kerner,
KISS,
Paul Stanley,
Peter Criss,
Richie Wise
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